Author: Dan Williford

  • Queer Bibliography: An emerging critical field

    Queer Bibliography represents a groundbreaking intervention in traditional bibliographic scholarship that emerged as a formally recognized field in 2023. This nascent discipline fundamentally reimagines how we approach the study of books, texts, and reading practices through the lens of queer theory and LGBTQ+ lived experiences. Unlike traditional bibliography’s claims to neutral objectivity, Queer Bibliography explicitly challenges heteronormative assumptions embedded in bibliographic practices while developing new methodologies centered on community care, intersectionality, and reparative scholarship.

    The field gained institutional recognition through the inaugural “Queer Bibliography: Tools, Methods, Practice, Approaches” symposium held at Senate House, University of London in February 2023, organized by Malcolm Noble and Sarah Pyke. This groundbreaking gathering directly led to the historic June 2024 special issue of Papers of the Bibliographical Society of America (Volume 118, Number 2), Kate Ozment the first comprehensive academic treatment of queer bibliography as a distinct methodological approach. The field’s rapid institutionalization reflects growing recognition that traditional bibliographic methods, emerging from 19th-century elite collecting culture, inadequately serve marginalized communities whose textual practices have long been excluded from formal scholarly attention.

    Theoretical foundations and methodological distinctions

    Queer Bibliography operates through two complementary approaches that together challenge traditional scholarly boundaries. Queer Vernacular Bibliography encompasses the informal bibliographic practices of LGBTQ+ readers and communities—described as “practiced in the vernacular, felt as much as thought, intuitive as much as intellectual.” This recognizes the long-standing tradition of queer readers creating their own reading networks, recommendation systems, and interpretive communities outside formal academic structures.

    Queer Critical Bibliography represents the formal academic branch that “draws strongly on other radical bibliographical traditions and practices,” systematically applying queer theory to bibliographic inquiry. This approach integrates five key dimensions: bibliographic excavation, material-discursive entanglement, affective bibliography, temporal disruption, and queer citation as praxis. The methodology positions bibliography as “a means by which marginalized texts and identities achieve material persistence against moral erasure”—a fundamentally reparative practice rather than neutral documentation.

    The field distinguishes itself from traditional bibliography through several crucial methodological shifts. Where traditional bibliography emerged from the values of “wealthy, white men responsible for its inception and growth” and functioned “within a colonialist set of assumptions,” Queer Bibliography embraces “radical openness” and community care practices. It incorporates affective engagement and embodied responses rather than maintaining scholarly detachment, examines how queerness shapes the physical production and circulation of texts, and emphasizes collaborative, intersectional approaches over individual expertise.

    The foundational PBSA special issue

    The June 2024 special issue of Papers of the Bibliographical Society of America established the theoretical and practical foundations of the field through seven groundbreaking contributions. “Queer Bibliography: A Rationale” by Malcolm Noble and Sarah Pyke serves as the foundational piece, making the case for queer approaches to bibliography by examining the intertwined relationship between sexuality and textuality. The authors survey vernacular bibliographical practices of “ordinary” queer readers, arguing that queer bibliography has a long history even if only recently labeled as a specific methodology.

    Malcolm Noble, a British historian and member of Leicester Vaughan College, brings expertise in urban history and cooperative education, while Sarah Pyke, who teaches children’s and Young Adult literature at the University of Münster and served as Munby Fellow in Bibliography 2023-24 at Cambridge University Library, contributes expertise in reading histories and queer selfhood. Their collaborative work establishes queer bibliography as examining how LGBTQ+ individuals employ queer interpretative methods and navigate how queer identities might be “read” by others through textual encounters.

    Michael Bronski’s “Creating Community and Grappling with History: Queer DIY Publishing in the United States after Stonewall” traces how grassroots publishing efforts proved central to queer community formation and historical preservation in the post-Stonewall era. Bronski, Professor of Practice in Media and Activism in Studies of Women, Gender, and Sexuality at Harvard University and author of the Lambda Literary Award-winning A Queer History of the United States, brings decades of activism and scholarship to examining DIY publishing’s role in building queer communities through alternative material production.

    Carlisle Yingst’s “Transition by the Book: Editing, Pseudonymity, and the Possibilities of Trans Bibliography” Carlisle Yingst explores the specific bibliographical challenges presented by trans lives and experiences. The article examines how transitions, name changes, and pseudonymity complicate traditional bibliographical practices, introducing concepts around trans bibliography as a distinct area of inquiry that requires adapted methodological approaches to account for the fluidity of trans experiences.

    Elise Watson’s “Queering the Language of Dynasty in Imprints and Bibliographic Metadata” demonstrates how traditional bibliographical language reflects heteronormative assumptions about family structures and business inheritance. Watson, a British Academy Postdoctoral Fellow at the University of Edinburgh with expertise in early modern gender and labor history, combines close examination of early modern printing practices with gender and queer theory to analyze how bibliographical description shapes understanding of historical actors.

    The issue’s reflection pieces further expand the field’s scope. B.M. Watson’s “The Homosaurus, Queer Vocabularies, and Impossible Metadata” introduces the concept of “metadatic imaginaries” while examining the Homosaurus as an example of alternative bibliographic infrastructure for marginalized communities. Dylan Lewis’s “Creativity, Experimentation, and Failure: Queering Letterpress Printing in the Humanities Makerspace” explores how letterpress printing can be “queered” through experimental approaches that embrace creativity and failure as productive elements of bibliographical practice. The roundtable “Towards Intersectional Queer Bibliography” by Kinohi Nishikawa, Kate Ozment, and David Fernández explores how queer bibliography must incorporate intersectional approaches accounting for race, class, and other identity categories alongside sexuality and gender. Umich +2

    Institutional development and key practitioners

    The field’s rapid institutionalization reflects both grassroots energy and significant institutional support. The annual Queer Bibliography conference series began in London in 2023, continued at UCLA California Rare Book School in July 2024 with the theme “Borders, Boundaries, and Margins,” and will continue at Newcastle University in June 2025 under the theme “In the Making,” with the University of Georgia planned for 2026. This international movable conference model demonstrates the field’s global reach and collaborative spirit.

    UCLA California Rare Book School serves as a major institutional supporter, hosting conferences and developing curricula, CalRBS while the University of Maryland’s BookLab in the English department functions as a center for queer bibliographic work through its makerspace focused on letterpress printing and book arts. Cambridge University Library provides crucial support through the Munby Fellowship program, which supported Sarah Pyke’s foundational work in the field.

    Key organizations include the Bibliographical Society of America, which published the field-defining special issue, and SHARP (Society for the History of Authorship, Reading and Publishing), which provides funding and platforms for queer bibliography discussions. The London Rare Books School offered “The Queer Book” course, developed in 2017 by Brooke Palmieri, representing early curricular development in the field.

    Beyond the founding figures Noble and Pyke, the field includes scholars like Christopher Adams, who identified queer book studies as an emerging field in 2022, and Dylan Lewis, Managing Editor of PBSA and graduate student at University of Maryland, whose work on experimental bibliography and hands-on pedagogy bridges traditional craft practices with contemporary queer theory.

    Practical methodologies and applications

    Queer bibliography has developed sophisticated practical methodologies that challenge traditional cataloging and archival practices. Alternative controlled vocabularies, particularly the Homosaurus, supplement or replace Library of Congress Subject Headings to provide more accurate and community-appropriate terminology. Libraries implement dual-system approaches, maintaining LCSH while adding Homosaurus terms in MARC field 650 with URIs in subfield $0 for linked data compatibility.

    Critical cataloging practices challenge the supposed neutrality of cataloging systems by actively addressing bias in subject headings, Taylor & Francis implementing community-generated tags to enhance discoverability, and involving LGBTQ+ communities in metadata creation and validation processes. Archival description techniques emphasize community-informed description that privileges community terminology over professional jargon, intersectional approaches addressing overlapping identities, and provenance-aware cataloging documenting contexts of creation, collection, and preservation.

    Major institutions have begun systematic implementation of these principles. The Cooperative Computer Services consortium in Illinois became the first major library consortium to officially adopt Homosaurus policy, serving as a model for implementation. Princeton University, Emory University, and the University of Kentucky have developed comprehensive Homosaurus integration programs with training protocols for metadata professionals, while international examples include the National Library of the Netherlands LGBT+ web archive and IHLIA in Amsterdam, which originally developed early versions of the Homosaurus.

    Relationship to broader scholarly fields

    Queer Bibliography positions itself at the intersection of multiple critical scholarly movements. Its relationship to LGBTQ+ studies builds directly on queer theory foundations while bringing material and bibliographical analysis to bear on queer texts and practices, addressing the gap between theoretical work and the material study of books. Within book history and bibliography, it participates in the broader “critical bibliography” movement that seeks to reappraise bibliographical practices using critical theory, challenging approaches that emerged from elite collecting culture.

    The field maintains strong connections to library science through engagement with cataloging practices, metadata standards, and collection development policies affecting LGBTQ+ materials, while its digital humanities integration includes digital archival projects, critical approaches to digitization, and innovative preservation methods for born-digital queer materials.

    Queer Bibliography explicitly builds on other critical bibliographical approaches, particularly feminist bibliography as defined by Kate Ozment as “the use of bibliographic methodologies to revise how book history and related fields categorize and analyze women’s texts and labor.” It also draws from Black bibliography and the “crucial work by Black women librarians in the mid-twentieth century in the service of racial emancipation and social justice,” while connecting to Derrick Spires’s concept of “liberation bibliography” as “a conscious and intentional practice of identifying and repairing the harms of systemic racism, anti-blackness, sexism, heteronormativity, and other oppressive forces in and through bibliographical study.”

    Major projects and digital initiatives

    The field has produced significant digital infrastructure and preservation projects. The Digital Transgender Archive (DTA) represents an international collaboration among 60+ institutions providing access to digitized historical materials and comprehensive finding aids worldwide. The Queer Digital History Project documents pre-2010 LGBTQ digital spaces, preserving early BBS networks, Usenet newsgroups, and online communities that would otherwise be lost to the “queer digital dark age.”

    Community archives networks play crucial roles, including The ArQuives in Canada (the country’s largest LGBTQ+ archive), the GLBT Historical Society in San Francisco with its digitized Bay Area Reporter archives, the LGBT Community Center National History Archive in New York, and the Lesbian Herstory Archives, the world’s largest collection of lesbian materials with ongoing digitization efforts.

    Specialized digital projects include Queerlit in Sweden, a Swedish LGBTQI fiction bibliography with linked open data integration, and the Queer Zine Archive Project (QZAP), which preserves DIY queer publishing with a searchable database. The Library of Congress maintains an LGBTQ+ Studies Web Archive that captures websites documenting LGBTQ+ history, scholarship, and culture, representing active preservation efforts addressing digital ephemera.

    Current debates and future directions

    The field grapples with fundamental questions about the nature and purpose of bibliographical work. Emily Drabinski’s influential “Queering the Catalog” argues that classification systems can never be finally “corrected,” only continuously critiqued, creating tension between approaches focused on improving cataloging versus those emphasizing ongoing critical analysis. This connects to broader debates about professional neutrality versus active advocacy for inclusive representation in library and archival work.

    Technical challenges include the lack of automatic authority control for Homosaurus terms in OCLC and major library systems, resource-intensive retrospective cataloging processes, and balancing standardization with local community needs. Political challenges intensify as 40% of banned books in 2021-2022 dealt with LGBTQ+ themes, affecting cataloging and collection decisions in politically charged environments.

    Methodological controversies include tensions between vernacular and professional language, challenges in applying contemporary terminology to historical materials, and balancing discoverability with patron safety concerns, particularly for closeted individuals. The field also wrestles with intersectionality, working to adequately represent the intersection of queer identities with race, class, disability, and other marginalized identities.

    Future directions include artificial intelligence integration for subject indexing using community-generated training data, linked open data expansion with international frameworks, and multilingual development of specialized vocabularies. Collaborative initiatives increasingly move beyond individual projects toward coordinated, community-led metadata standards development and cross-institutional digital preservation efforts.

    Conclusion

    Queer Bibliography has emerged as a vital scholarly field that fundamentally challenges traditional bibliographic assumptions while developing innovative methodologies centered on community expertise and social justice. Its rapid institutionalization—from first conference in 2023 to established annual gatherings, dedicated journal issues, and systematic institutional implementation—demonstrates the urgent need this field addresses.By bringing together rigorous scholarly methods with community-centered approaches, Queer Bibliography not only preserves and makes discoverable LGBTQ+ textual heritage but also models how academic disciplines can transform themselves through engagement with marginalized knowledge systems.

    The field’s emphasis on intersectionality, reparative scholarship, and collaborative knowledge production positions it at the forefront of broader transformations in humanities scholarship toward more inclusive and justice-oriented research practices. As libraries, archives, and academic institutions increasingly recognize the limitations of supposedly neutral cataloging and preservation practices, Queer Bibliography offers both theoretical frameworks and practical tools for creating more equitable information systems that serve all communities. Its commitment to both vernacular and critical approaches ensures that scholarly rigor supports rather than displaces community expertise, creating a model for engaged scholarship that other fields would benefit from emulating.

    My own work on “the Cult of Wilde” and Christopher Millard’s Bibliography of Oscar Wilde (1914) shows and early example of queer bibliography.

  • Writing for Digital Media

    Writing for Digital Media

    Writing for Digital Media: Crafting Stories for the Digital Age

    Excited to share a sneak peek into my course, Writing for Digital Media! This class is all about mastering the art and science of creating compelling content for the digital world. From social media posts to blogs, interactive narratives, and beyond, students will explore how to write effectively for various platforms and audiences.

    Here’s what the course covers:

    • Digital Storytelling Techniques: Learn how to engage audiences with captivating narratives that work across platforms.
    • Audience Analysis: Understand who you’re writing for and how to connect with them authentically.
    • Critical Information Literacy: Develop skills to evaluate online content and craft ethical, credible work.
    • Writing with AI Tools: Discover how tools like ChatGPT can enhance your creative process and productivity.

    Through hands-on projects and collaborative exercises, students will gain practical experience and build a portfolio of work tailored for the digital landscape. Whether you’re looking to boost your writing skills for marketing, journalism, or creative pursuits, this course provides the foundation to succeed in the digital media world.

    Have you ever thought about how writing changes in a digital-first world?

  • No Straight Lines – Justin Hall

    No Straight Lines – Justin Hall

    Fantagraphics (August 6, 2012)

    Justin Hall is an award-winning cartoonist and sits on the board of Prism Comics, a non-profit supporting LGBT comics. He teaches comics at the California College of Art.

    Lambda Literary Award Winner, 2013 – LGBTQ+ Anthology

    Collecting the world’s greatest LGBT comics under one cover.

    Queer cartooning encompasses some of the best and most interesting comics of the last four decades, with creators tackling complex issues of identity and a changing society with intelligence, humor, and imagination. This book celebrates this vibrant artistic underground by gathering together a collection of excellent stories that can be enjoyed by all.

    No Straight Lines showcases major names such as Alison Bechdel (whose book Fun Home was named Time Magazine’s 2006 Book of the Year), Howard Cruse (whose groundbreaking Stuck Rubber Baby is now back in print), and Ralf Koenig (one of Europe’s most popular cartoonists), as well as high-profile, cross-over creators who have dabbled in LGBT cartooning, like legendary NYC artist David Wojnarowicz and media darling and advice columnist Dan Savage. No Straight Lines also spotlights many talented creators who never made it out of the queer comics ghetto, but produced amazing work that deserves wider attention.

    Until recently, queer cartooning existed in a parallel universe to the rest of comics, appearing only in gay newspapers and gay bookstores and not in comic book stores, mainstream bookstores or newspapers. The insular nature of the world of queer cartooning, however, created a fascinating artistic scene. LGBT comics have been an uncensored, internal conversation within the queer community, and thus provide a unique window into the hopes, fears, and fantasies of queer people for the last four decades.

    These comics have forged their aesthetics from the influences of underground comix, gay erotic art, punk zines, and the biting commentaries of drag queens, bull dykes, and other marginalized queers. They have analyzed their own communities, and their relationship with the broader society. They are smart, funny, and profound. No Straight Lines will be heralded by people interested in comics history, and people invested in LGBT culture will embrace it as a unique and invaluable collection.Color and black-and-white comics throughout

    Comics Come Out: Gay Gag Strips, Underground Comix, and Lesbian Literati

    Joe Johnson: Miss Thing

    Shawn: Gayer Than Strange

    Charles Ortlieb and Richard Fiala: Christopher Street

    Trina Robbins: Sandy Comes Out

    Trina Robbins: Gertrude and Alice

    Mary Wings: Child Labor

    Roberta Gregory: Protecting Yer Morals

    Lee Marrs: My Deadly Darling Dyke

    Joyce Farmer: Slice of Life

    Nazario: selections

    Carl Vaughn Frick: The Tortoise and the Scorpion

    Howard Cruse: Billy Goes Out

    Howard Cruse: Wendell

    Kurt Erichsen: Home Movies with the Spinster Sisters

    Jerry Mills: Poppers (Love, Surfers)

    Donelan: untitled

    Jeff Krell: Jayson Gets a Visitor

    Tim Barela: Leonard and Larry (Til Tricks Do Us Part)

    Burton Clarke: Cy Ross and the Snow Queen Syndrome

    Robert Triptow: I Know You Are But What Am I?

    Ralf König: Roy and Al (Sniffing Around)

    Ralf König: Greek Lessons

    File Under Queer: Comix to Comics, Punk Zines, and Art During the Plague

    David Wojnarowicz, James Romberger, and Marguerite Van Cook: 7 Miles a Second (selection)

    Ivan Velez, Jr.: untitled

    Carl Vaughn Frick: Watch Out!

    Jerry Mills: Poppers (Sex Object, Dark)

    Jaime Cortez: Sexile (selection)

    Jennifer Camper: selections (AIDS/Women to Avoid, What They Say About Her Now, Household Sadists, A Letter to Heterosexuals)

    Rupert Kinnard: Cathartic Comics

    Diane DiMassa: Hothead Paisan Homicidal Lesbian Terrorist (TV, Blow U Away, Superman)

    Roberta Gregory: Bitchy Butch World’s Angriest Dyke

    Leanne Franson: Rip Up Those Roles

    Leslie Ewing: Why You Will Never See Me at a Lesbian Sex Club

    Joan Hilty: selections (Door Dyke, I Was a Celebrity Plaything)

    Alison Bechdel: My Own Michigan Hell, The Power of Prayer

    Alison Bechdel: Dykes to Watch Out For (#436, #437)

    Alison Bechdel: Oppressed Minority Cartoonist

    Andrea Natalie: Stonewall Riots

    Michael Fahy: selections (Fortune Cookie, Fuzz Butt Frenzy, Bad Date Haiku)

    Craig Bostick: Funnel of Love

    Roxxie: Boys and Sex

    Craig Bostick: Replacement

    Robert Kirby and Dr. Travers Scott: Instruction

    Robert Kirby: Curbside Boys

    Craig Bostick: By Accident

    David Kelly: Steven’s Comics (Learning to Swim, Swimming with Guppies, The Treehouse, Eaten Alive!)

    Craig Bostick: Falling

    Sina Evil: Cigarettes

    Jennifer Camper: selections (Ramadan, America)

    Tom Bouden: Things Not To Say or Do After Having Sex, More Things Not to Say or Do After Having Sex

    Eric Orner: The Mostly Unfabulous Social Life of Ethan Green

    Eric Orner: Weekends Abroad

    Victor Hodge: Click Download

    Steve MacIsaac: In Plain Sight

    Fabrice Neaud: Emile (excerpt)

    David Shenton: Sunday

    A New Millennium: Trans Creators, Webcomics, and Stepping Out of the Ghetto

    Joey Alison Sayers: Just So You Know (Springtime, Freaking Out the Parents)

    Gina Kamentsky: T-Gina (Is GRS For Me?, Altered Ego)

    Dylan Edwards: Outfield, Trannytoons

    Annie Murphy: Androgyne

    Tristan Cane and Ted Naifeh: How Loathsome (excerpt)

    Edie Fake: Fuck Me Like This, L.A. Silence (excerpt)

    Erika Moen: DAR (Worst Things I’ve Done to my Partners During Sex, We’re Getting Laid, So Much Pussy)

    MariNaomi: Alyssa Part 2

    Leanne Franson: Sensitive Straight Boy

    Maurice Vellekoop: Soap

    Dan Savage and Ellen Forney: My First Time…in Drag!

    Ivan Velez, Jr.: If I Were a Drag Queen…

    Ellen Forney: How to be a Fabulous Drag Hag!

    Ariel Schrag and Kevin Seccia: Ariel and Kevin Invade an LA Dyke Bar

    Paige Braddock: Jane’s World (excerpt)

    Tim Fish: Voodoo You Do So Well!

    Glen Hanson and Allan Neuwirth: Chelsea Boys (One Fine Brother)

    Chuck McKinney and Chino: From the Cellar (Shrinky Dink, Traffic Jam)

    Francois Peneaud and Roger Zanni: The Gardener

    Tony Breed: Finn and Charlie are Hitched

    Christine Smith: The Princess

    Isabel Franc and Susanna Martin: Alicia in the Real World (excerpt)

    Justin Hall: I No Longer Cared

    Eric Shanower: Happily Ever After

    Jon Macy: Teleny and Camille (excerpt)

    Rick Worley: A Waste of Time

    Andy Hartzell: Date With an Angel

    BiL Sherman: My Obsession with Frankenstein’s Monster!!!

    Carrie McNitch: You Don’t Get There From Here (excerpts)

    Ed Luce: Wuvable Oaf (Worst Dates)

    Ed Luce and Matt Wobensmith: Wuvable Oaf (Smusherrr)

    Michelle Gruben: Girlfriends (My Faire Lady, Lesbian History, Lesbian Superpowers)

    Kris Dresen: In Common

    Mysh: Queer Haikus (Saturday, No Straight Lines)

  • Wisconsin legislature passes laws restricting AI-produced deepfake campaign materials, Fox News

    Wisconsin legislature passes laws restricting AI-produced deepfake campaign materials, Fox News

    https://www.foxnews.com/politics/wisconsin-legislature-passes-laws-restricting-ai-produced-deepfake-campaign-materials

    Wisconsin legislature passes laws restricting AI-produced deepfake campaign materials

    States roll out bills to combat deceptive ‘deepfakes’ in election campaigns

    By Jamie Joseph Fox News, Published February 17, 2024 10:12am EST

    Ahead of the general election, more states are proactively introducing new bills to regulate the rise of artificial intelligence (AI) created “deepfakes,” or digitally altered videos or images, in their campaign materials.

    Advanced generative AI tools, ranging from voice-cloning software to image generators, have swiftly become fixtures in election cycles both domestically and internationally.

    In the lead-up to the 2024 presidential race last year, a wave of innovation saw the integration of AI-generated audio and imagery in campaign ads, alongside ventures into AI chatbots to cultivate voter engagement.

    This week, Wisconsin joined 20 other states that have either introduced or passed election laws requiring election campaigns to disclose when advertisements are AI-generated.

    On Thursday, a bipartisan group of state assemblymembers passed two bills tackling AI use in election cycles by a voice vote.

    The rise of deepfakes
    The first bill, AB 664, mandates all audio and video communications to bear the label “Contains content generated by AI,” with violators risking penalties of up to $1,000 per offense.

    One of the chief architects of the bill, Democrat Rep. Clinton Anderson, said on the floor, “We want voters to know that what you see is what you get.”

    Rep. Adam Neylon, another coauthor of the bill, said during the vote, “With artificial intelligence, it’s getting harder and harder to know what is true.”

    The second bill, AB 1068, mandates Wisconsin state agencies to conduct audits on AI tool usage to evaluate efficiency. These audits encompass tool inventories, guideline summaries, privacy policies, and data usage. Additionally, agencies must report to the legislature in 2026 on state employee positions that AI could optimize, aiming to cut jobs that could be more efficient utilizing AI by 2030.

    Ahead of the vote, Republican Rep. Nate Gustafson reportedly said it’s “flat out false” that the law would be used to replace state workers’ jobs.

    AI computer
    Artificial intelligence illustrations are seen on a laptop with books in the background in this illustration photo on July 18, 2023. (Jaap Arriens/NurPhoto via Getty Images)

    States with the biggest AI tech giants, California and New York, have the most bills filed in their state legislatures, Axios reported.

    Last week, the Federal Communications Commission made AI-generated robocallsmimicking the voices of political candidates to fool voters illegal. The FCC ruling, which takes effect immediately, makes voice cloning technology used in common robocall scams targeting consumers illegal.

    The decision was announced days after New Hampshire Attorney General John Formella revealed that nefarious robocalls with an AI-generated clone of President Biden’s voice urging recipients not to participate in the January 23 primaries – and instead save their votes for the November election – had been traced to two Texas companies.

    “In the end, the threat posed by AI to the American election system is no different than the use of malware and ransomware deployed by nation-states and organized crime groups against our personal and corporate networks on a daily basis,” Optiv vice president of cyber risk James Turgal told Fox News Digital in an interview this month.

    “The battle to mitigate these threats can and should be fought by both the United States government and the private sector.”

    Fox News’ Daniel Wallace and Nikolas Lanum contributed to this report.

    Jamie Joseph is a writer who covers politics. She leads Fox News Digital coverage of the Senate.

  • Get Info Lit!

    Get Info Lit!

    Information Literacy for Art and Design Students

    Part I. Authority

    ACRL Information Literacy Framework

    “Information literacy is the set of integrated abilities encompassing the reflective discovery of information, the understanding of how information is produced and valued, and the use of information in creating new knowledge and participating ethically in communities of learning.”

    • Authority Is Constructed and Contextual
    • Information Creation as a Process
    • Information Has Value
    • Research as Inquiry
    • Scholarship as Conversation
    • Searching as Strategic Exploration

    Readings